Hercule Poirot is a man of facts but the mystery in the damned Venetian palazzo shakes him up a bit.
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As always, Poirot’s idyllic life is upended by an alluring mystery. This time the mystery announced itself by the arrival of his friend, a mystery novelist named Ariadne Oliver , and he was reluctantly dragged to a séance in a decaying, haunted palazzo. Since the story is set in post-World War 2 Venice, it sets up a perfect eerie and gothic vibe to the mystery.
A criticism I have is that Yeoh’s portrayal as the medium Joyce Reynolds was short. However, she left a lasting memory by perfectly navigating the fine line between being an empathic person who wants to help troubled people and a charlatan. The story of A Haunting in Venice differs from the book it’s adapted from. Oscar-winning director/producer Kenneth Branagh and screenwriter Academy Award nominee Michael Green agreed that it is very hard to surprise an Agatha Christie fan.
There is nothing more haunted than a Venetian palazzo and the city just calls for mist and masks, and the creepy crawly, throw-a-body-in-the-river kind of feel. We wanted to take advantage and use the inherent spookiness and the magic and luster of Venice, to make an unimaginably terrifying Halloween night.
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