The Vampire Hunter D illustrator sat down with Kotaku for an exclusive interview
Advertisement“More than social responsibility,” Amano says, “there’s human responsibility.” Don’t bother people, don’t cause trouble, stuff like that. “We all have [that responsibility]. Not just myself, but everybody.”Angel’s Egg
screening, “Uhhh…” was all he said to the sold-out theater’s impassioned round of applause. I sense that, despite his fans’ tendency towards romance , Amano can be superficial. He’s a man, and he draws. Yes, that’s it. “If people don’t understand my work, maybe it’s my fault,” he says. “My responsibility is the creation and completing it [...] and then, once it’s out of my hands, everyone views it, and I can’t control that.”All that matters to him with his work is constructing “a world that people have never seen before,” he says. “That’s my vision, my goal.”’s New York screening is appropriate, then. Amano considers New York to be a “fantasy city,” an opinion he first formed while living here in the ‘90s.
Soon, Amano will return to Japan, where he’ll start working on illustrations for a new game. “I feel like art equals gaming,” he says, “In a sense, they’re one and the same in my eyes.”Like many in the gemstone-shaded eyes of Amano’s art, I can sense opportunity—what game? Amano speaks in English for the first time during the interview: “No comment.”
But, “I think it’s a game that everyone will know,” he says impishly through his translator. “Sorry. Sorry, I cannot say. [...] Art, of course you can talk about it. But—”
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